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Unlocking the Unconscious Through Poetry

By Matthew Zapruder

Best of 2017

We’re away until January 3, but we’re reposting some of our favorite pieces from 2017. Enjoy your holiday!

Thiago Rocha Pitta, Heritage, 2007. Courtesy of the artist, Galeria Millan, São Paulo, and Marianne Boesky Gallery, New York and Aspen. © Thiago Rocha Pitta

 

On the cover of this pocket-size edition of John Ashbery’s Self-Portrait in a Convex Mirror, the poet stands in a doorway. He wears the somehow simultaneously ill-advised and completely stylish ensemble of a half-unbuttoned patterned shirt and tight beltless pants. Looking closer, the doorway seems to open not to a room or to the outside but to a closet: on a shelf behind him there is a pot or urn, and the flatness of the photograph makes it seem a bit as if he is wearing it on his head, like a bizarre hat. He is looking straight out of the front of the book, with a direct, slightly furrowed expression. He is about to smile beneath his full mustache. Something strange is just about to happen.

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